Sans Normal Algap 12 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Helonik Extended' by Ckhans Fonts, 'Campeche' by Latinotype, 'Sztos' by Machalski, 'PG Gothique' by Paulo Goode, and 'NeoGram' by The Northern Block (names referenced only for comparison).
Keywords: ui design, product design, signage, wayfinding, presentations, modern, neutral, clean, friendly, technical, clarity, utility, systematic, contemporary, geometric, monoline, open apertures, round counters, high legibility.
A clean sans built from clear geometric primitives, with monoline strokes and round, even counters. Curves are smooth and largely circular (notably in C, O, and the bowls), while straight strokes stay crisp with squared terminals. Proportions feel generously set with ample internal space and open apertures, keeping word shapes airy and readable. The lowercase shows a single‑storey a and g, a compact t with a short crossbar, and a straightforward, contemporary rhythm across text.
This font suits interface typography, dashboards, and product branding where clarity and steady rhythm are key. It also performs well for signage and wayfinding thanks to its open shapes and simple construction, and it remains comfortable in longer passages such as reports or presentation decks.
The overall tone is modern and unpretentious, balancing a rational, engineered clarity with a mildly approachable warmth from its rounded forms. It reads as contemporary and efficient rather than expressive, making it feel at home in digital and product contexts.
The design appears intended to provide a straightforward, contemporary sans for everyday communication, prioritizing clarity, consistency, and a calm typographic color. Its geometric construction suggests a focus on systematic forms that reproduce reliably across screen and print settings.
Numerals follow the same geometric logic, with smooth curves and consistent stroke weight; forms like 8 and 9 stay open and well separated at text sizes. Capitals maintain a steady, understated presence, and the mix of circular and straight construction produces a stable, even color in paragraphs.