Sans Faceted Abrab 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'FX Gerundal' by Differentialtype, 'Aspire Narrow' by Grype, 'Neogliph' by Letterhend, and 'FTY Galactic VanGuardian' by The Fontry (names referenced only for comparison).
Keywords: headlines, posters, logotypes, game ui, sports branding, techno, industrial, arcade, tactical, sturdy, impact, tech feel, geometric system, display clarity, angular, faceted, blocky, octagonal, compact.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with crisp planar facets. Counters are mostly rectangular or octagonal, with squared apertures and minimal modulation, giving letters a machined, stencil-like solidity without actual breaks. The overall construction feels modular and grid-aligned, with compact joins, flat terminals, and consistent stroke thickness across the set; some glyphs widen to accommodate their shapes, reinforcing a functional, display-driven rhythm.
Best suited for headlines, posters, title cards, and branding where an assertive, technical voice is desired. It can work well in game/UI labels and signage-style graphics when set with generous tracking and adequate size, while long body copy may feel heavy and visually dense.
The sharp chamfers and blocky silhouettes project a tough, engineered tone that reads as techno and industrial. Its faceted geometry also evokes retro arcade and sci‑fi interface lettering, conveying energy, control, and ruggedness rather than softness or elegance.
The design appears intended to translate a bold, contemporary sans into a faceted, polygonal system that stays consistent across caps, lowercase, and numerals. By standardizing corners and relying on straight segments, it prioritizes impact and a recognizable, industrial-tech signature in display settings.
In text, the dense black shape and squared counters create strong word images and high impact at medium-to-large sizes. Similar forms in characters like O/Q/0 and I/l/1 can appear close in silhouette due to the strict geometric language, so spacing and size choice matter for clarity.