Sans Faceted Anwo 3 is a bold, wide, low contrast, upright, tall x-height, monospaced font visually similar to 'Bike Tag JNL' and 'Celluloid JNL' by Jeff Levine (names referenced only for comparison).
Keywords: headlines, posters, signage, labels, sports branding, industrial, retro tech, arcade, utilitarian, sturdy, impact, systematic, rugged, tech tone, display legibility, octagonal, chamfered, blocky, geometric, modular.
A heavy, geometric sans built from straight strokes and clipped corners, replacing curves with crisp chamfers that create an octagonal, faceted silhouette. Forms are boxy and compact with consistent stroke thickness and squared terminals, producing a strongly engineered rhythm across caps, lowercase, and numerals. The lowercase follows the same modular construction as the uppercase, with simplified bowls and angular joins; counters tend to be rectangular or polygonal, emphasizing a hard-edged texture. Overall spacing and alignment feel disciplined and grid-oriented, reinforcing a mechanical, system-like presence.
Best suited for short to medium-length settings where strong shapes matter: headlines, posters, packaging callouts, wayfinding/signage, and product labels. It can also work for sports or team-style graphics and UI overlays where a rigid, technical tone and tight, uniform rhythm are desirable.
The font reads as industrial and retro-technical, with an arcade/display flavor driven by its faceted geometry and no-nonsense construction. Its blunt angles and uniform weight convey toughness and practicality rather than warmth, evoking equipment labeling, digital-era graphics, and utilitarian signage.
Likely designed to deliver a bold, high-impact voice with a consistent faceted construction that stays legible at a glance. The goal appears to be a modular, engineered look that performs well in display contexts and reinforces a technical or industrial identity.
Distinctive chamfers on corners give many glyphs an almost stenciled, cut-metal feel without visible breaks. The numerals match the same angular logic, and the overall texture in text blocks is dense and high-impact, favoring strong silhouettes over delicate detail.