Sans Other Ohno 6 is a bold, narrow, monoline, upright, short x-height font.
Keywords: headlines, posters, logos, game ui, packaging, industrial, techno, retro, arcade, stencil-like, impact, tech aesthetic, industrial labeling, display branding, distinctive texture, angular, blocky, square, condensed, hard-edged.
A compact, geometric sans with heavy, uniform strokes and sharply cut corners. Forms are built from squared-off bowls and straight stems, with small ink-trap-like notches and occasional inward cuts that create a subtly stenciled, constructed feel. Curves are minimized in favor of faceted geometry, and terminals tend to end in blunt, rectangular stops. The overall rhythm is tight and slightly irregular from glyph to glyph, emphasizing a handmade, cut-out silhouette while remaining highly graphic.
Best suited to short, high-impact settings such as headlines, posters, title cards, logos, and graphic lockups where its angular construction can be appreciated. It also fits game/UI styling, sports or industrial-themed packaging, and signage-like applications where a dense, blocky texture is desirable. For longer text, larger sizes and generous tracking help preserve clarity.
The typeface reads as mechanical and utilitarian, with a distinctly retro-digital attitude reminiscent of arcade lettering, sci-fi interfaces, and industrial labeling. Its hard angles and cut-ins add a rugged, engineered personality that feels energetic and slightly rebellious rather than polished or corporate.
The design appears intended to deliver a strong, constructed sans voice with a retro-tech edge, combining compact proportions with chiseled details to create immediate visual impact. Its distinctive notches and squared counters suggest an aim toward display legibility and brandable character rather than neutral body-text reading.
Counters are generally small and squarish, boosting perceived weight and making the texture dense in continuous text. Several characters use distinctive internal notches or asymmetrical cuts (notably in bowls and diagonals), which helps identification at display sizes but can make long passages feel busy at smaller settings. Numerals match the same squared construction and maintain a consistent, blocky color.