Sans Faceted Lyke 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Air Corps JNL' by Jeff Levine and 'B52' by Komet & Flicker (names referenced only for comparison).
Keywords: headlines, logos, posters, game ui, tech branding, techno, industrial, sci-fi, gaming, futuristic, futuristic styling, impact display, technical voice, modular consistency, brandability, angular, faceted, octagonal, stencil-like, geometric.
A sharp, faceted sans with planar cuts replacing curves, producing octagonal bowls and clipped terminals throughout. Strokes are consistently heavy and largely uniform, with a square, engineered construction and tight internal counters that keep the texture dark at text sizes. Corners are frequently chamfered, and diagonals are crisp and straight, giving letters and numerals a machined, modular feel. The lowercase follows the same geometric logic as the uppercase, with single-storey forms and compact apertures that emphasize solidity and impact.
Best suited to display roles such as headlines, posters, product marks, esports or gaming graphics, and interface titling where a hard-edged, engineered voice is desired. It can also work for short labels, packaging callouts, and signage-style applications where the faceted construction reinforces an industrial or futuristic theme.
The overall tone is futuristic and mechanical, evoking digital interfaces, industrial labeling, and sci‑fi hardware aesthetics. Its sharp geometry reads assertive and tactical rather than friendly, with a game/tech energy that feels designed for high-impact display.
The design appears intended to translate a geometric sans into a distinctly faceted, hardware-like style, prioritizing strong silhouettes and a technical presence over softness or calligraphic nuance. The consistent chamfer logic suggests a goal of visual cohesion across letters and numbers for branding and high-impact on-screen use.
The faceting creates distinctive silhouettes (notably in rounded letters and numerals) and a rhythmic pattern of consistent corner cuts, which can make long passages feel dense but helps short strings read as purposeful and branded. The squared shapes and small counters suggest it will perform best with generous tracking and ample size.