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Free for Commercial Use

Serif Flared Egri 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'ITC Franklin' by ITC, 'Sheldrake JNL' by Jeff Levine, 'JAF Bernini Sans' by Just Another Foundry, 'Industrial Gothic' by Monotype, and 'Balboa Plus' by Parkinson (names referenced only for comparison).

Keywords: posters, headlines, packaging, mastheads, signage, vintage, display, poster, editorial, western, space saving, high impact, vintage flavor, headline clarity, decorative serif, flared terminals, compressed, teardrop joins, compact counters.


Free for commercial use
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A condensed serif with heavy, even-weight strokes and a low-contrast build. Stems and key joins broaden into flared, wedge-like terminals, creating a carved, ink-trap-adjacent feel without sharp hairlines. The silhouettes are tall and compact, with tight interior counters and short crossbars that keep letters dense at smaller sizes. Uppercase forms are assertive and columnar, while the lowercase maintains a large x-height and simplified, sturdy shapes; curves are slightly squared-off, and bowls/shoulders lean toward vertical ovals for a compressed rhythm.

Best suited for display work such as posters, mastheads, event titles, and packaging where a compact, high-impact headline is needed. It can also work for short editorial callouts or pull quotes, but the dense counters and compressed proportions make it less comfortable for long-form text at small sizes.

The overall tone is bold and nostalgic, with a showbill/woodtype energy that reads as confident and slightly rustic. The flared endings add a decorative, crafted impression, giving headlines a theatrical, old-time editorial character rather than a modern corporate voice.

Likely designed to deliver maximum presence in tight horizontal space while adding personality through flared terminals and a classic serif vocabulary. The goal appears to be a legible, attention-forward display face with a vintage flavor and strong typographic color.

Spacing appears naturally tight due to the narrow set and thick strokes, producing a strong vertical texture in paragraphs. Numerals match the condensed, heavyweight construction and hold up well in attention-grabbing contexts where uniform color and impact matter more than delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸