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Free for Commercial Use

Sans Normal Mynab 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Gezart' by Ani Dimitrova, 'Hoxton Samuels' by Samuelstype, 'Coco Gothic Pro' by Zetafonts, and 'Bartosh' by jpFonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logotypes, bold, friendly, punchy, retro, playful, impact, approachability, display clarity, brand distinctiveness, rounded, soft corners, compact, heavy terminals, blocky.


Free for commercial use
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This typeface is built from heavy, rounded sans forms with smooth curves and broad, sturdy strokes. The overall drawing favors soft corners and generous bowls, producing compact counters and a dense, high-impact silhouette. Curved letters like C, O, and S appear broadly circular, while straight-sided structures (E, F, H, N) keep a simple, blocky geometry with minimal modulation. Details such as the pointed, triangular arm in the uppercase J and the short, firm terminals across many letters add a slightly quirky, constructed feel without becoming decorative.

Best suited to headlines, posters, brand marks, and packaging where strong presence and quick recognition matter. It also works well for short UI labels or signage when a friendly, high-contrast-from-background look is needed. For long paragraphs, it will be most comfortable at larger sizes with ample spacing due to its dense counters and heavy overall color.

The tone is confident and approachable, with a cheerful, poster-ready presence. Its rounded massing reads friendly rather than aggressive, but the sheer weight makes it assertive and attention-grabbing. The mix of clean geometry and a few idiosyncratic angles lends a subtle retro flavor suited to energetic, upbeat messaging.

The design appears intended as a modern, rounded display sans that maximizes impact while maintaining an approachable voice. Its simplified geometry and substantial weight aim for instant readability and bold personality, with small angular touches to keep the forms distinctive in branding contexts.

In text settings the tight internal spaces and thick joins create a dark typographic color, especially in longer lines. The numerals match the letterforms in weight and roundness, with wide, solid figures that prioritize visibility over delicacy. The overall rhythm is steady and legible at display sizes, with a deliberately chunky texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸