Sans Normal Jedem 5 is a bold, very wide, low contrast, italic, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Otoiwo Grotesk' by Pepper Type, 'Ordina' by Schriftlabor, 'Jasan' by Storm Type Foundry, 'Radiate Sans' by Studio Sun, and 'Makro' by Tokotype (names referenced only for comparison).
Keywords: headlines, branding, posters, sports, packaging, sporty, techy, dynamic, assertive, modern, impact, motion, modernity, clarity, display, oblique, aerodynamic, rounded, geometric, compact counters.
A heavy, forward-slanted sans with broad proportions and smoothly rounded geometry. Strokes are largely monolinear with softened corners and squarish curves, producing compact internal counters in letters like B, P, and R. The uppercase is wide and stable with flattened terminals, while the lowercase keeps a clear, contemporary construction (single-storey a and g) and a fairly even, workmanlike rhythm. Figures are similarly wide and sturdy, with open curves and a slightly streamlined, engineered feel.
Best suited to display roles where a strong, dynamic voice is needed—headlines, brand marks and lockups, sports and automotive-style graphics, posters, and bold packaging. It can also work for short UI labels or section headers when space is limited, though the compact counters suggest avoiding very small sizes for longer passages.
The overall tone is fast, confident, and contemporary—suggesting motion and performance through the consistent oblique slant and wide stance. Its dense, high-impact color reads as assertive and practical rather than delicate, giving it a sporty, tech-forward character.
The font appears designed to deliver a streamlined, motion-oriented sans that stays legible while projecting speed and strength. Its rounded geometric construction and consistent oblique angle aim for a contemporary, performance-driven look that holds up in high-contrast, attention-demanding layouts.
The design maintains consistent slant and stroke behavior across letters and numerals, which helps it feel cohesive in long lines. Apertures are moderately tight and shapes are intentionally compact, trading some small-size openness for punchy presence.