Sans Other Fuso 2 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, gaming, packaging, industrial, retro, arcade, stencil-like, assertive, impact, retro tech, industrial labeling, sci-fi ui, display branding, blocky, angular, chamfered, compact, geometric.
A heavy, block-constructed sans with squared proportions, sharp corners, and frequent chamfered cuts that create an octagonal, machined feel. Strokes are mostly monolinear with small internal notches and occasional slit-like counters that read as stencil breaks, especially in letters like E, S, and W. The uppercase set is tall and rigid, while the lowercase follows the same modular construction with simplified bowls and straight-sided forms; overall spacing appears tight and the texture is dense and uniform. Numerals match the same angular, cut-corner logic for a consistent, display-forward system.
Best suited to short, high-impact settings such as headlines, posters, title cards, logos/wordmarks, and branding for games or tech/industrial themes. It can also work for packaging or labels where a rugged, machine-cut look is beneficial, but the dense counters suggest avoiding long passages at small sizes.
The face projects a bold, utilitarian tone with a distinctly retro-tech flavor—evoking arcade cabinets, military/industrial labeling, and sci‑fi interface typography. Its sharp geometry and cut-in details add a sense of toughness and engineered precision, making the overall voice loud, direct, and attention-seeking.
The design appears intended to deliver maximum visual impact through modular, blocky geometry and purposeful cut-ins that mimic stencil breaks or machined chamfers. It prioritizes a strong silhouette and thematic character over neutral readability, positioning it as a distinctive display sans for bold, graphic applications.
Small apertures and narrow counters become prominent stylistic features at text sizes, producing a strong black footprint and a slightly “stenciled” rhythm. The stepped diagonals and chamfers keep curves to a minimum, so the font reads best where a hard-edged, mechanical personality is desired.