Sans Superellipse Odmy 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Max', 'FF Signa', and 'FF Signa Round' by FontFont; 'Glober' by Fontfabric; 'Clio' by LeType; and 'Diaria Sans Pro' by Mint Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, friendly, punchy, retro, playful, confident, impact, approachability, brandability, signage clarity, simplicity, rounded, soft corners, blocky, compact, sturdy.
A heavy, rounded sans with superelliptical construction and softly squared curves throughout. Strokes are thick and even, with minimal modulation, producing dense counters and a compact, robust texture. Curves tend toward rounded-rectangle geometry rather than perfect circles, and terminals are broadly blunted, giving the forms a sculpted, poster-ready feel. The overall rhythm is steady and tight, with simplified joins and clear, uncomplicated silhouettes across letters and numerals.
Best suited to high-impact applications such as headlines, posters, retail signage, packaging, and logo wordmarks where a bold, friendly voice is desired. It can also work for short blocks of display text, especially when generous spacing is available to offset the dense counters.
The font projects a warm, approachable confidence with a distinctly bold, graphic presence. Its rounded-rectangular shapes read as modern yet slightly nostalgic, suggesting mid-century signage and contemporary friendly branding at the same time. The tone is upbeat and direct, prioritizing impact over delicacy.
The design appears intended to deliver maximum visual punch with a welcoming, rounded personality. By relying on superelliptical curves, blunt terminals, and uniform stroke weight, it aims for clear, simplified forms that reproduce well at large sizes and feel approachable in branding contexts.
Uppercase forms appear particularly sturdy and compact, while lowercase maintains the same chunky construction for consistent color in paragraphs. Numerals follow the same rounded, blocky logic, making them feel integrated rather than appended. The heavy weight and tight interior spaces emphasize silhouette recognition and strong figure/ground contrast.