Sans Normal Adnuz 14 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' and 'Neutro' by Durotype, 'Ageo' by Eko Bimantara, 'Santral' by Taner Ardali, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: ui text, editorial, branding, packaging, posters, modern, friendly, dynamic, clean, casual, emphasis, clarity, approachability, modernity, versatility, humanist, rounded, open apertures, angled terminals, lively rhythm.
This italic sans presents rounded, open forms with a steady, low-contrast stroke and a consistent rightward slant. Curves are smooth and broadly drawn, while many terminals are cut on an angle, giving letters a crisp finish without feeling sharp. Proportions read as balanced rather than condensed, with generous counters and clear apertures that keep the texture airy in text. The overall rhythm is lively and slightly informal, with subtle width variation across glyphs that adds motion and avoids a rigid, mechanical feel.
This font suits UI and app text where a clean italic is needed for emphasis, as well as editorial sidebars, pull quotes, and short-form reading. Its friendly, rounded construction works well for contemporary branding, packaging, and marketing materials that benefit from a dynamic, approachable voice. At display sizes it can add motion and personality to headlines without sacrificing clarity.
The tone is modern and approachable, combining clean geometry with a humanist warmth. Its italic posture and energetic rhythm make it feel active and conversational—more “in motion” than strictly corporate—while remaining tidy enough for everyday interface and editorial use.
The design appears intended as a versatile italic sans that blends geometric simplicity with a softer, humanist feel. It aims to provide clear, modern readability while adding energy through slant, rounded forms, and angled terminals for a distinctive but broadly usable voice.
Numerals are clear and rounded, matching the letterforms’ friendly curvature, and the heavier curves in characters like O, Q, and S help maintain an even color across mixed-case settings. In the sample text, word shapes stay distinct and readable at larger sizes, with the slant contributing emphasis without becoming overly stylized.