Sans Normal Bokid 11 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Minimalism' by Adita Fonts, 'Live Grotesk' by Matt Chansky, 'Reyhan' by Plantype, and 'Identidad' by Punchform (names referenced only for comparison).
Keywords: ui text, editorial, branding, signage, presentations, neutral, modern, clean, practical, friendly, neutral utility, high legibility, system branding, everyday modernity, rounded, open apertures, smooth curves, balanced, straightforward.
A clean sans with rounded, softly engineered curves and straight-sided verticals that keep the overall texture even and legible. Strokes stay consistent with minimal modulation, and counters are generous, giving letters an open, breathable rhythm. Terminals are largely plain and unadorned, with a mix of crisp joins and subtle rounding that prevents the design from feeling harsh. Uppercase proportions are steady and compact, while the lowercase maintains a clear, readable structure with simple, familiar forms and tidy punctuation and numerals.
It suits interface copy, dashboards, and product UI where clarity and a steady texture matter. The balanced geometry also works well for editorial subheads, corporate branding systems, wayfinding/signage, and presentation typography that needs to remain crisp and neutral across sizes.
The tone is contemporary and matter-of-fact, with a calm neutrality that reads as dependable rather than expressive. Its smooth, rounded geometry adds a mild friendliness, making it feel approachable without becoming informal.
The design appears intended as a general-purpose, modern sans that prioritizes clarity, consistency, and broad usability. Its rounded geometry and open internal spaces suggest an effort to keep long-form reading comfortable while remaining versatile for display settings.
The sample text shows consistent color at paragraph sizes, with clear differentiation between similar shapes and comfortable spacing that supports continuous reading. Numerals appear straightforward and modern, matching the letterforms without calling attention to themselves.