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Free for Commercial Use

Sans Normal Morom 6 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Arpona Sans' by Floodfonts, 'Muller Next' by Fontfabric, 'Plau Redonda' by Plau, 'Sans Beam' by Stawix, and 'Eastman' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sportswear, punchy, playful, friendly, retro, sporty, impact, approachability, display clarity, retro flavor, brand presence, rounded, geometric, chunky, soft corners, compact counters.


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A heavy, rounded sans with broad, geometric curves and squared-off terminals. Strokes are consistently thick with minimal modulation, creating a dense, poster-like color on the page. Counters are compact and often circular (notably in O, o, and 8), while joins and corners are softened rather than sharp, giving the shapes a sturdy but approachable feel. The lowercase shows simple, single-storey forms (a, g) and a large, prominent dot on i/j; overall spacing appears tight-to-moderate, emphasizing mass and impact in text and headlines.

This font performs best where immediate impact is needed: headlines, posters, logos, and bold branding systems. Its rounded, compact forms also suit packaging and signage that benefits from a friendly, high-energy tone. For extended small-size reading, the dense counters and heavy color are more appropriate as accents than body text.

The overall tone is bold and upbeat, with a friendly, slightly retro personality. Its rounded geometry and compact inner spaces make it feel confident and energetic—well suited to attention-grabbing, informal messaging rather than quiet, bookish reading.

The design appears intended to deliver maximum presence with a smooth, geometric friendliness—combining sturdy silhouettes with softened corners for approachable display typography. It prioritizes bold shapes and legibility-at-a-glance over delicate detail, aiming for strong recognition in branding and headline contexts.

The numerals share the same chunky construction, with a notably round 0 and a dense 8; figures and caps feel designed to hold strong silhouettes at large sizes. The set reads consistently across the pangram sample, maintaining a steady rhythm and strong baseline presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸