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Distressed Kylo 4 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Headline Gothic' by ATF Collection, 'Explorer' by Fenotype, 'Bellfort Draw' by GRIN3 (Nowak), 'Longacre JNL' by Jeff Levine, 'Duotone' by Match & Kerosene, 'Tolyer' by Typesketchbook, and 'Ggx89' by Typodermic (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, album covers, gritty, vintage, rugged, raw, industrial, add texture, evoke age, signal toughness, create impact, retro print, blocky, condensed, textured, inked, worn.


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A condensed, heavy display face with blocky, compact letterforms and a strongly inked silhouette. Strokes are generally monolinear but visibly uneven, with chiseled, roughened contours and subtle interior pitting that suggests worn type or degraded printing. Terminals are blunt and squared-off, counters are tight, and curves are simplified, creating a dense texture in words and lines. Spacing appears relatively tight, reinforcing an emphatic, poster-like rhythm.

Best suited to short, high-impact settings such as posters, event flyers, headlines, labels, and bold signage where the distressed texture can read clearly. It works especially well when you want typography to feel printed, stamped, or timeworn, and is less appropriate for long passages or small UI text due to its dense weight and rough contours.

The overall tone is gritty and workmanlike, evoking aged signage, stamped lettering, and rough print ephemera. Its texture reads as intentionally imperfect and tactile, giving headlines a tough, lived-in presence with a retro-industrial edge.

The design appears intended to deliver a condensed, high-contrast-in-mass headline voice with deliberate wear and print grit. Its consistent distress and blunt construction suggest a focus on evoking vintage production methods and rugged, utilitarian branding.

The distressing is consistent across uppercase, lowercase, and numerals, maintaining a unified texture rather than random damage. Narrow proportions and dark color contribute to strong impact, while the irregular edges add visual noise that becomes more pronounced as text sizes get smaller.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸