Sans Superellipse Fedud 3 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Hudson NY Pro' by Arkitype, 'Ciutadella' by Emtype Foundry, 'Charles Wright' by K-Type, 'Navine' by OneSevenPointFive, 'Hype Vol 1' by Positype, and 'Nulato' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, dynamic, confident, modern, industrial, impact, motion, modernization, durability, rounded corners, squared curves, oblique slant, compact counters, tight apertures.
A slanted sans with heavy, compact construction and rounded-rectangle geometry throughout. Curves resolve into squared, superelliptical bowls with softened corners, and strokes stay largely uniform, creating a dense, high-impact texture. The italic angle is steady and consistent across capitals, lowercase, and figures, with short crossbars and clipped terminals that keep silhouettes tight. Counters are relatively small and openings are narrow, reinforcing a solid, condensed feel without appearing formally condensed.
This face is best suited to short-to-medium setting sizes where its compact counters and italic energy can carry impact—headlines, branding marks, posters, and packaging. It can also work well for sports and performance-oriented graphics, UI hero text, and attention-grabbing labels where a modern, rounded-industrial voice is desired.
The overall tone is fast, assertive, and contemporary, with a distinctly engineered look. Its rounded-square forms and strong slant suggest motion and performance, reading as confident and slightly aggressive while staying clean and controlled.
The design appears intended to combine a clean sans foundation with superelliptical, rounded-square shaping and a consistent oblique stance to project speed and strength. The tight apertures and uniform stroke behavior emphasize punchy presence and stable reproduction in bold display applications.
Capitals are wide-shouldered and blocky, while lowercase follows a simplified, utilitarian model with single-storey-style shapes where applicable and minimal interior detailing. Numerals match the same rounded-rectangle logic, producing sturdy, sign-like figures that align well with the letterforms.