Sans Faceted Tyli 7 is a regular weight, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'OCRK' by Test Pilot Collective (names referenced only for comparison).
Keywords: code ui, console text, labels, interfaces, signage, technical, industrial, retro, utilitarian, digital, system clarity, mechanical tone, display utility, grid consistency, octagonal, chamfered, angular, geometric, squared.
A crisp, geometric sans built from straight strokes and chamfered corners, replacing curves with short diagonal facets. The outlines maintain an even stroke presence and a consistent modular rhythm, producing compact, squared counters and octagonal bowls in letters like O, C, and G. Terminals are flat and clean, with occasional angled cuts that create a machined, stencil-like impression without actual breaks. Numerals follow the same faceted construction, with a distinctive slashed zero and similarly angular forms across the set.
Well-suited to coding environments, terminal or dashboard interfaces, and any layout where strict character alignment and quick scanning are important. It also fits technical labeling, packaging callouts, and industrial-themed posters where the angular, machined look can carry the visual identity.
The overall tone is technical and no-nonsense, evoking engineered signage, instrument markings, and early digital display aesthetics. Its sharp facets and measured cadence lend an industrial, slightly retro feel that reads as precise and systematic rather than expressive.
The design appears intended to deliver a disciplined, grid-friendly texture with a distinctive faceted silhouette, balancing mechanical character with straightforward legibility. By substituting curves with planar cuts and keeping proportions steady, it aims for a robust, system-like voice that holds up in repeated text and numeric readouts.
Spacing and alignment feel deliberately uniform, reinforcing a grid-based texture in paragraphs and UI-like strings. The faceting is applied consistently across uppercase, lowercase, and figures, keeping the voice cohesive even at larger sizes where the angled cuts become a key visual feature.