Sans Normal Komow 19 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Alamia' by Ani Dimitrova, 'Delargo DT' by DTP Types, 'Aspira' by Durotype, 'Wayfinding Sans Pro' by FDI, 'Muller Next' by Fontfabric, 'Whitney' by Hoefler & Co., 'Belle Sans' by Park Street Studio, and 'Neue Reman Sans' by Propertype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, signage, sporty, dynamic, confident, modern, friendly, emphasis, motion, impact, modernization, clarity, oblique, rounded, geometric, compact, smooth.
A heavy, oblique sans with smooth, rounded curves and clean terminals. The letterforms show a geometric backbone with open counters and steady stroke weight, giving a clear, high-impact silhouette. Uppercase shapes are broad and sturdy, while the lowercase keeps a compact, workmanlike rhythm; round letters like o/c/e stay clean and even, and the slanted stress creates forward motion without adding contrast. Numerals follow the same robust, simplified construction for consistent texture in mixed text.
Well suited to headlines, short blurbs, posters, and brand marks where a strong, fast, modern voice is needed. It can work effectively for signage and promotional graphics, and for sports or lifestyle themes that benefit from momentum and emphasis.
The overall tone is energetic and assertive, with a forward-leaning posture that feels active and contemporary. Rounded geometry keeps it approachable rather than sharp or aggressive, making the voice confident, sporty, and promotional.
The design appears intended to deliver an impactful sans with built-in motion, combining a sturdy geometric structure with an oblique stance for immediacy. It prioritizes bold presence and consistent texture across letters and numbers for attention-driven typography.
The oblique angle is consistent across caps, lowercase, and figures, creating a strong directional rhythm in paragraphs and headlines. The weight and open shapes help maintain legibility at larger sizes, while the dense color can become dominant in long passages.