Sans Superellipse Ibray 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Outlast' by BoxTube Labs, 'Mexiland' by Grezline Studio, 'Midsole' and 'Tradesman' by Grype, 'Herchey' by Ilham Herry, 'Evanston Alehouse' by Kimmy Design, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, sportswear, industrial, sporty, assertive, modern, compact, impact, rugged clarity, modern signage, geometric unity, blocky, squared, rounded corners, sturdy, punchy.
A heavy, block-built sans with rounded-rectangle construction and broadly squared counters. Strokes stay consistently thick with minimal modulation, producing a dense, poster-ready texture. Terminals are blunt and corners are softly radiused, while bowls and apertures read as squarish superellipses rather than true circles. Proportions are compact and tall, with tight internal spaces in letters like B, P, R, and 8, giving the face a strong, uniform rhythm across lines.
Best suited to headlines, logos, packaging, and short messaging where maximum impact is needed. It reads clearly at large sizes for posters and signage, and its sturdy shapes pair well with sports, industrial, or tech-oriented branding. For longer text, it works most effectively in brief blocks or subheads where the dense weight can remain comfortable.
The overall tone is forceful and utilitarian, with a sporty, display-driven energy. Its squared forms and compact fit suggest signage and machinery more than refinement, projecting confidence and impact at a glance.
The design appears intended to deliver a bold, contemporary voice built from softened rectangular geometry, balancing toughness with approachable rounded corners. It prioritizes strong silhouettes and consistent rhythm for attention-grabbing display typography.
The uppercase is especially commanding, with simplified geometry and restrained detailing; diagonals (A, K, V, W, X, Y) appear robust and angular against the rounded corners elsewhere. Numerals follow the same squared, heavy logic, keeping widths relatively even and emphasizing legibility through large, simple silhouettes.