Sans Superellipse Ibnir 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Diamante EF' by Elsner+Flake, 'Mothem' by Gerobuck, 'Budoin' by Lemonthe, 'Chandler Mountain' by Mega Type, 'Diamante Serial' by SoftMaker, and 'TS Diamante' by TypeShop Collection (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, assertive, compact, utilitarian, impact, robustness, modern utility, space efficiency, rounded corners, blocky, stencil-like, squared bowls, flat terminals.
A heavy, geometric sans with squared counters and prominently rounded corners that read as superellipse-based shapes. Strokes are consistently thick with minimal modulation, and many joins are squared off, giving the alphabet a compact, block-built rhythm. Apertures tend to be tight and bowls lean toward rounded rectangles rather than true circles, while terminals are flat and blunt for maximum mass. Numerals and capitals feel especially sturdy and poster-ready, with simplified forms and generous interior rounding that keeps the weight from feeling overly sharp.
Best suited to headlines, display typography, and branding where high impact and quick recognition matter. It performs well on posters, signage, athletic or industrial-themed identities, and packaging that benefits from a compact, sturdy word shape.
The overall tone is bold and no-nonsense, with an industrial and sporty flavor that suggests strength, impact, and straightforward messaging. Its blocky silhouettes and rounded-square geometry lend a contemporary, engineered feel—confident rather than delicate, and more functional than expressive.
Likely designed to deliver maximum visual punch with a consistent superellipse geometry, balancing hard, engineered structure with softened corners. The simplified, tightly set forms prioritize bold presence and legibility at large sizes over typographic delicacy.
The typeface maintains a consistent “squared-round” motif across curves, which helps it stay cohesive in dense settings. In longer text, the tight apertures and heavy color create a strong typographic voice best suited to short bursts rather than continuous reading.