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Free for Commercial Use

Sans Superellipse Ibnik 1 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Frileder' by Gatype, 'PODIUM Soft' by Machalski, 'Recumba' by Pixesia Studio, and 'Queency' by Vampstudio (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, poster, industrial, compact, assertive, retro, space-saving, impact, display clarity, condensed, blocky, rounded, sturdy, high-impact.


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A compact, heavy display sans with tall proportions and tightly controlled counters. Strokes are broadly uniform with subtly softened corners, giving round letters a rounded-rectangle (superellipse) feel rather than true circles. Curves join stems with minimal modulation, and terminals are mostly blunt, producing a solid, blocky silhouette. The spacing is snug and the internal apertures are small, so the overall texture reads dense and dark. Numerals and uppercase share the same robust, condensed build, with straightforward, geometric construction.

Best suited for large-scale headlines, posters, and signage where high impact and compact width are advantages. It can also work for bold branding moments, packaging callouts, and sports/industrial-themed graphics. For longer reading, it’s more effective as a short, emphatic typographic accent than as body text.

The tone is forceful and utilitarian, with a vintage poster sensibility. Its dense rhythm and squared-round forms feel industrial and no-nonsense, projecting authority and urgency. The softened corners keep it from feeling harsh, adding a slightly retro, sign-painting vibe without becoming decorative.

The design appears intended to maximize visual impact in limited horizontal space, pairing condensed proportions with sturdy, rounded-rectangular geometry. Its simplified, consistent forms prioritize strong silhouette and poster-like presence, aiming for confident readability at display sizes.

At text sizes the tight apertures and dark color can reduce clarity, especially in round letters and in mixed-case runs. In larger settings the consistent vertical rhythm and strong silhouettes become the main strengths, delivering a compact, impactful line with clear headline presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸