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Serif Contrasted Tino 8 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Poster Bodoni' and 'Poster Bodoni WGL' by Bitstream, 'EF Bodoni No 2' by Elsner+Flake, 'Bodoni Poster' by Linotype, 'Bodoni SB' and 'Bodoni SH' by Scangraphic Digital Type Collection, 'Poster Bodoni' by Tilde, and 'Bodoni' and 'Bodoni No. 2' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, magazine, posters, branding, packaging, editorial, dramatic, luxury, classic, theatrical, statement display, premium feel, editorial impact, modern classic, vertical stress, hairline serifs, unbracketed, crisp terminals, sculpted counters.


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A striking display serif with pronounced vertical stress, dense main stems, and extremely thin hairline connections. Serifs are sharp and largely unbracketed, giving the outlines a crisp, cut-paper feel. Round letters show sculpted counters and occasional stencil-like internal breaks, creating a distinctive black-and-white rhythm. Proportions are expansive and showy, with large bowls and strong horizontals, while spacing stays fairly open to accommodate the heavy strokes.

This font is best suited to headlines, magazine and editorial titling, posters, and brand marks where strong contrast and sculpted forms can take center stage. It can work well in packaging and high-end promotional materials, especially when set with generous spacing and ample size.

The overall tone is dramatic and fashion-forward, balancing classical serif heritage with a modern, high-impact attitude. Its sharp hairlines and bold masses read as luxurious and theatrical, suited to statements that want to feel curated and confident.

The letterforms appear designed to maximize impact through stark contrast and sculptural counters, delivering a contemporary take on an elegant display serif. The combination of crisp hairlines and bold masses suggests an intention to feel premium and attention-grabbing rather than purely text-oriented.

The design relies on extreme thick–thin contrast and delicate joins, so it visually rewards larger sizes where the hairlines and internal cut-ins remain clear. Numerals and capitals carry the same sculpted, high-contrast logic, keeping the texture consistent across mixed content.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸