Sans Superellipse Ogbaj 12 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Libertad Mono' by ATK Studio; 'Leftfield' by Fenotype; 'Mono Spec' by Halbfett; and 'Realtime', 'Realtime Rounded', 'Realtime Text', and 'Realtime Text Rounded' by Juri Zaech (names referenced only for comparison).
Keywords: signage, posters, packaging, ui labels, headlines, industrial, utilitarian, technical, retro, sturdy, clear labeling, durability, geometric clarity, systematic design, display impact, rounded corners, squared curves, soft terminals, high contrast-free, compact.
A heavy, even-stroke sans built from squared curves and rounded-rectangle geometry. Corners are consistently softened, producing superelliptical bowls and blocky counters, while verticals and horizontals stay firm and rectilinear. The overall silhouette is compact and stable, with broad shoulders, short apertures, and simplified joins that keep forms crisp at a distance. Numerals and capitals read strongly with generous weight and minimal modulation, maintaining a steady rhythm across the character set.
Well-suited to headlines, signage, and labeling where strong silhouettes and consistent spacing aid quick recognition. It also fits UI labels, dashboards, and product/industrial design applications that benefit from a robust, geometric voice. For long-form text, the dense counters and heavy color suggest using larger sizes or generous line spacing.
The tone is functional and no-nonsense, with an industrial solidity that feels at home in technical and infrastructural contexts. Its softened corners temper the rigidity, adding a friendly, approachable edge without losing authority. The result sits between retro equipment labeling and contemporary interface pragmatism.
The design appears intended to deliver a tough, highly legible sans with rounded-rectangle character, prioritizing uniformity and quick readback over calligraphic nuance. Its geometry and softened corners suggest a deliberate blend of machine-made structure and approachable friendliness for modern technical communication.
Round letters (like O/C/G) lean toward squarish, rounded-rectangle construction, and punctuation and symbols appear designed for clarity rather than delicacy. The heavy weight and compact interiors suggest best performance at display and signage sizes, where counters won’t be visually crowded.