Sans Faceted Ange 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, album art, playful, handmade, edgy, quirky, retro, handcrafted feel, graphic impact, display emphasis, rough texture, playful edge, angular, faceted, blocky, irregular, posterlike.
A heavy, angular sans with faceted construction that replaces curves with short planar segments. Strokes are consistently thick with minimal contrast, and terminals often end in blunt, slightly skewed cuts that create a chiseled silhouette. Counters tend toward polygonal shapes, and the overall rhythm is intentionally irregular, with small variations in width and stance that read as hand-cut rather than mechanically perfect. The lowercase is compact and sturdy, and numerals follow the same jagged, cut-paper logic for a cohesive texture in lines of text.
Best suited to display work where texture and personality are an asset: posters, headline treatments, brand marks, packaging, and entertainment or event graphics. It can also work for short bursts of copy (taglines, callouts) when a bold, handmade feel is desired, but the busy edge detail favors larger sizes and generous spacing.
The font projects a playful, slightly rebellious tone—like lettering made from torn cardstock or carved blocks. Its rough-hewn geometry feels energetic and informal, giving headlines a loud, graphic voice with a touch of punk zine and retro display attitude.
The design appears intended to deliver a strong, graphic sans voice with deliberately faceted contours, prioritizing character and punch over smooth neutrality. By baking in irregular cuts and polygonal curves, it aims to mimic hand-crafted or cut-out lettering while staying structurally legible for bold display use.
In text settings the uneven facets create a pronounced dark texture and lively edge activity, especially around bowls and diagonals. The most distinctive character comes from the polygonal counters and the repeated angled cuts, which produce a consistent “shattered” or “carved” impression across uppercase, lowercase, and figures.