Distressed Keju 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Franklin Gothic' by Linotype (names referenced only for comparison).
Keywords: posters, headlines, packaging, apparel, album covers, rugged, playful, handmade, retro, rowdy, attention grab, print wear, handmade feel, headline impact, blocky, inked, chipped, blunt, posterlike.
A chunky, heavy display face with broad proportions and irregular, distressed contours. Strokes are thick and blunt with slightly uneven terminals, creating a rough-printed, ink-worn look around outer edges and some counters. The silhouette is mostly geometric and blocklike, but softened by subtle wobble and chipping that makes repeated letters feel intentionally imperfect. Spacing reads generous and the overall rhythm is assertive, with compact counters and strong, dark texture in text settings.
Best suited for short, high-impact text such as posters, headlines, labels, and bold branding moments where texture is a feature. It can work well on packaging, apparel graphics, and editorial callouts, especially when you want a handmade or rough-printed feel. For longer passages, it’s most effective in brief bursts (subheads, pull quotes) due to its dense texture.
The font conveys a loud, tactile personality—like stamped signage, screenprinted merchandise, or worn poster headlines. Its distressed finish adds grit and approachability, balancing toughness with a casual, slightly mischievous tone. The result feels energetic and attention-seeking rather than refined.
Designed to deliver maximum visual punch while introducing character through a controlled distressed finish. The letterforms prioritize strong silhouettes and easy recognition at display sizes, while the rough edges simulate worn printing to add atmosphere and theme.
Uppercase forms lean toward sturdy, simplified shapes that hold together well at large sizes, while lowercase retains the same rough edge treatment for a cohesive voice across cases. Numerals are similarly bold and straightforward, matching the headline-first intent. The distressing appears consistent across glyphs, suggesting a deliberate print-wear effect rather than random noise.