Sans Faceted Nyme 3 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Burger Honren' by IRF Lab Studio, 'Frontage Condensed' by Juri Zaech, 'Gemsbuck Pro' by Studio Fat Cat, and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, athletic, assertive, urban, tactical, impact, space saving, ruggedness, signage clarity, condensed, angular, faceted, chamfered, blocky.
A tightly condensed display sans with strong vertical emphasis and a compact footprint. Letterforms are built from straight strokes and clipped corners, producing a faceted, chamfered geometry where curves would normally appear. Strokes stay largely uniform, with squared terminals and crisp joins that keep counters narrow and rectangular; rounded letters like O/Q/C read as polygonal forms. The lowercase follows the same rigid construction, with a double-story a and sturdy, squared bowls, while figures are equally narrow and punchy with flattened arcs and notched corners.
Best suited to short, high-impact settings such as headlines, posters, sports-oriented graphics, labels, and bold wayfinding. Its condensed width helps fit long words into limited horizontal space while still delivering strong contrast against a page or background.
The overall tone is forceful and utilitarian, combining an athletic scoreboard energy with an industrial, urban edge. Its sharp facets and compressed rhythm feel no-nonsense and attention-grabbing, suggesting toughness and speed rather than softness or refinement.
The design appears intended to translate classic condensed grotesque proportions into a hard-edged, machined aesthetic, using chamfers and planar cuts to create a distinctive, rugged voice for display typography.
Spacing appears tight and consistent, creating a dense texture that holds together well in all-caps headlines. The faceted treatment is especially prominent in curved glyphs and in diagonals, which read as hard-edged planes rather than smooth transitions.