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Free for Commercial Use

Sans Other Adrev 4 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, playful, retro, chunky, modular, punchy, attention, branding, retro feel, graphic texture, display impact, rounded, geometric, cut-in, stencil-like, soft-cornered.


Free for commercial use
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A heavy, geometric sans with rounded outer contours and consistent stroke weight, built from simple blocky forms. Counters are small and often punctured or notched, with characteristic vertical cut-ins and occasional internal slots that create a quasi-stencil, segmented look. Terminals tend to be flat and abrupt, while bowls and shoulders are broadly curved, producing a compact, chunky rhythm. The overall construction feels modular and engineered, with deliberately simplified joins and reduced interior space for a strong silhouette.

Best suited to display applications where its strong silhouettes and quirky cut details can be appreciated: headlines, posters, event graphics, packaging, and bold signage. It can work for short blurbs or pull quotes when set large with generous tracking, but it is most effective as an attention-grabbing accent rather than extended reading.

The font projects a playful, retro-modern personality—part 1970s display, part toy-like signage—while staying bold and assertive. Its notches and punched counters add a cheeky, graphic edge that reads as experimental without becoming chaotic.

The design appears intended to deliver maximum impact with a friendly, retro-graphic flavor, using rounded geometry and repeated notches to create a recognizable, branded texture. The simplified forms prioritize silhouette and motif over delicate detail, aiming for strong presence in print and on-screen graphics.

At text sizes the tight counters and interior slots can visually fill in, so spacing and size choices matter for clarity. The distinctive cut-ins give many letters a repeated motif, which strengthens branding consistency but makes the face highly characterful and less neutral in longer passages.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸