Sans Superellipse Ogdek 9 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'Dic Sans' by CAST, 'Muller Next' by Fontfabric, 'FS Jack' by Fontsmith, 'Mercurial' by Grype, 'Engrez' by Indian Type Foundry, 'MC Aregia' by Maulana Creative, and 'Belle Sans' by Park Street Studio (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, modern, playful, compact, impact, approachability, clarity, rounded corners, blocky, softened, sturdy, high-impact.
A heavy, blocky sans with rounded-rectangle construction and broadly superelliptical curves. Strokes are consistently thick with minimal modulation, and corners are softened rather than sharply cut, giving counters a squarish-but-rounded feel (notably in O, D, and 0). The lowercase is compact and sturdy, with simple terminals and closed, dense interior spaces; the overall texture is dark and even at display sizes. Numerals follow the same geometry, with wide, stable forms and rounded outer corners for a cohesive, poster-ready rhythm.
Best suited for large, high-impact settings such as headlines, posters, logos, packaging, and wayfinding where its chunky, rounded forms read quickly. It can work well for short UI labels and badges when sizes are generous and contrast is sufficient, but it is less ideal for long text due to its dense color and tight internal spaces.
The tone is bold and approachable: assertive enough for attention-grabbing headlines, but softened by rounded geometry that reads friendly rather than aggressive. Its chunky shapes and tight spacing cues add a slightly playful, contemporary voice that suits upbeat branding and casual communication.
The letterforms appear designed to deliver maximum presence with a friendly edge, combining bold massing with rounded-rectangle geometry for a contemporary, approachable display voice. Consistent stroke weight and simplified details suggest an emphasis on clarity, cohesion, and strong silhouette in branding and signage contexts.
The design leans on squarish rounds and short apertures, producing a dense silhouette and strong word shapes. Diagonals (K, V, W, X) are thick and compact, reinforcing a sturdy, engineered look. At smaller sizes the tight counters may begin to fill in, so it visually performs best when given room and scale.