Sans Other Myriy 11 is a very bold, normal width, monoline, italic, tall x-height font visually similar to 'Stallman' and 'Stallman Round' by Par Défaut (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, logos, sporty, techy, aggressive, futuristic, arcade, impact, speed, modern edge, display emphasis, slanted, blocky, angular, squared, compact counters.
A heavy, forward-slanted sans with squared, angular construction and softened corners. Strokes stay largely uniform in thickness, producing a sturdy, monolithic texture, while letterforms rely on chamfered cuts and rectangular counters rather than curves. The shapes feel slightly condensed by their tight apertures and compact internal spaces, and the overall rhythm is punchy and mechanical, with many terminals ending in blunt, beveled edges. Numerals and caps follow the same block-built logic, creating a highly consistent, display-oriented silhouette.
Best suited to large-scale applications such as posters, titles, esports or sports branding, and punchy logo lockups where the angular slant can read as speed. It can also work for short UI labels in games or tech-themed layouts, but the tight counters suggest avoiding long body text and very small sizes.
The tone is high-energy and assertive, leaning toward motorsport, arcade, and sci‑fi interfaces. Its sharp joins and strong slant suggest speed and impact, giving headlines a competitive, action-forward feel.
The design appears intended to deliver a fast, forceful display voice using a consistent block-and-chamfer vocabulary. By combining a pronounced slant with rectangular counters and minimal curvature, it aims to communicate modernity, motion, and toughness in a compact, high-contrast silhouette.
Counters are small and often rectangular, which increases density and makes the face most comfortable at larger sizes. Many glyphs use cut-in notches and chamfers to imply motion and to differentiate similar forms, reinforcing a synthetic, engineered aesthetic.