Sans Faceted Umni 10 is a bold, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, logos, posters, gaming ui, team branding, futuristic, industrial, techno, sporty, arcade, sci-fi tone, industrial voice, high impact, machined geometry, branding focus, angular, beveled, octagonal, blocky, mechanical.
A heavy, geometric sans built from straight strokes and clipped corners, replacing most curves with octagonal, faceted terminals. The letterforms have broad proportions with squared counters and consistent stroke weight, giving a sturdy, engineered feel. Joins are crisp and planar, with frequent 45° cuts on corners and ends; round letters like O/C/G read as chamfered shapes rather than true curves. The lowercase follows the same rigid geometry with a tall x-height and compact apertures, while numerals mirror the same beveled, modular construction for a uniform texture.
Best suited to display settings where its angular silhouette can read clearly: headlines, logos and wordmarks, packaging, posters, and esports or sports identities. It also fits interface titling, game menus, and signage-style labels where a rugged, technical voice is desired.
The faceted construction and wide stance evoke sci‑fi interfaces, machinery labeling, and competitive sports branding. Its sharp corners and dense weight convey toughness and speed, with an arcade/tech flavor that feels modern and synthetic rather than neutral or humanist.
The font appears designed to deliver a bold, futuristic identity through a consistent chamfered geometry, offering the impact of a stencil-like, machined aesthetic while staying within a clean sans framework. Its wide proportions and strong modularity prioritize recognizability and branding presence over long-form reading comfort.
The design maintains a highly consistent corner-cut motif across caps, lowercase, and figures, producing a strong rhythm at larger sizes. Interior spaces are relatively rectangular and tight, which emphasizes solidity and can make long text feel dense compared to more open grotesks.