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Free for Commercial Use

Sans Normal Mita 3 is a very bold, very wide, medium contrast, upright, tall x-height font visually similar to 'ATC Duel' by Avondale Type Co., 'Rhode' by Font Bureau, 'Muller Next' by Fontfabric, 'Cy Grotesk' and 'Cy Grotesk Std' by Kobuzan, 'Bagor' by Trustha, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, playful, chunky, retro, friendly, bold, impact, playfulness, retro flavor, brand presence, headline strength, rounded, soft corners, bulky, compact counters, heavy terminals.


Free for commercial use
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This typeface uses extremely heavy, wide letterforms with rounded bowls and softened corners, creating a strongly geometric yet slightly squashed silhouette. Curves are broad and smooth, while joins and terminals are blunt, producing a dense texture with minimal interior space in counters. The lowercase maintains a tall x-height and simplified construction, with single-storey forms and compact apertures that emphasize mass over openness. Numerals and capitals follow the same blocky, rounded rhythm, with consistent stroke presence and a generally even, poster-like color across lines.

Best suited to short, high-impact applications such as headlines, posters, signage, logo wordmarks, packaging, and bold social graphics where its dense, rounded forms can read as a single strong shape. It also fits playful branding and energetic titling where a retro, chunky voice is desirable.

The overall tone is loud, friendly, and cartoon-adjacent, with a distinctly retro display energy. Its chunky shapes and tight counters feel confident and attention-grabbing rather than refined, leaning toward fun, informal communication.

The design appears intended to deliver maximum visual impact with a friendly, rounded geometric vocabulary—prioritizing bold presence and compact, chunky letterforms that hold up as strong shapes at display sizes.

In longer text settings the heavy weight and narrow apertures create a very dark typographic color, so spacing and size will strongly affect legibility. The design’s wide stance and rounded geometry make word shapes feel compact and punchy, especially in mixed-case lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸