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Free for Commercial Use

Solid Jahi 4 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'Kaneda Gothic' by Dharma Type, 'Akkordeon' by Emtype Foundry, 'CF Blast Gothic' by Fonts.GR, 'Tungsten' by Hoefler & Co., 'Etrusco Now' by Italiantype, 'PF Mellon' by Parachute, and 'Monopol' by Suitcase Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, signage, industrial, retro, stencil-like, assertive, quirky, maximize impact, save space, stencil effect, logo display, condensed, blocky, monolithic, notched, pinched.


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This font uses condensed, heavy block forms with rounded outer corners and frequent inward notches that pinch stems and junctions. Counters are largely collapsed, leaving many letters as near-solid silhouettes with only small apertures or cuts to suggest internal structure. Vertical strokes dominate, while bowls and curves read as flattened, sculpted shapes rather than open forms. The rhythm is tight and emphatic, with a slightly irregular, hand-cut consistency across the set that keeps repeated motifs (notches, small cuts, blunt terminals) visually coherent.

Best suited to large-size display applications where its solid silhouettes and carved notches can read clearly: posters, headlines, brand marks, packaging fronts, and short signage phrases. It can also work for punchy overlays or labels where a compact, high-impact word shape is desired, but it is less appropriate for extended text or small UI sizes due to the minimal internal openings.

The overall tone feels tough and graphic, like cut vinyl, stamped signage, or bold packaging marks. Its quirky notches and mostly-solid interiors add a novelty edge—part industrial, part retro display—creating a loud, attention-grabbing voice rather than a neutral one.

The design appears intended to create maximum visual mass in a condensed footprint while maintaining letter identity through strategic notches and apertures. By collapsing counters and emphasizing monolithic shapes, it aims for a bold, cut-out look that feels engineered and distinctive in display settings.

The collapsed counters and narrow proportions make similar shapes (especially in curved letters and numerals) rely on small cut-ins for differentiation, which increases the font’s poster-like impact while reducing fine-detail readability at smaller sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸