Hollow Other Ibza 11 is a very light, wide, very high contrast, upright, normal x-height font.
Keywords: posters, logotypes, headlines, game ui, sci-fi titles, tech, glitchy, futuristic, digital, experimental, tech aesthetic, glitch effect, display impact, retro computing, monoline, outlined, square, angular, stencil-like.
A geometric, squared display face built from thin, monoline outlines with pronounced internal knockouts and stepped cut-ins. The letterforms favor right angles and flat terminals, with occasional pixel-like protrusions and notches that create an intentionally irregular rhythm. Counters are often partially blocked or compartmentalized, and several glyphs show layered, offset interior shapes that read like fractured outlines. Overall spacing and widths feel intentionally inconsistent for character, reinforcing a constructed, modular look rather than a smooth, continuous skeleton.
Best suited to display settings such as posters, title cards, album art, game or app UI accents, and sci-fi/tech themed branding. It works especially well for short headlines, logos, and labels where the cutout details can be appreciated; for dense body copy the fragmented interiors may reduce clarity at smaller sizes.
The font conveys a digital, machine-made tone with a glitchy, hacked aesthetic. Its fragmented interiors and blocky contours suggest retro computing, arcade hardware, and sci-fi interfaces, giving text a tense, synthetic energy. The combination of airy outlines and abrupt cutouts reads as experimental and technical rather than friendly or traditional.
The design appears intended to fuse outline lettering with deliberate internal disruptions, evoking circuitry, pixel artifacts, and industrial stenciling. By mixing clean rectangular geometry with irregular notches and inset blocks, it aims to create a distinctive techno display voice that feels engineered and slightly corrupted.
The outline construction keeps the texture light, while the internal breaks add visual noise that becomes more apparent in longer lines of text. Diagonals are simplified into stepped segments in places, producing a pixel/voxel impression. The design relies on distinctive interior carving, so it performs best where those details can remain visible.