Hollow Other Ibza 1 is a very light, wide, high contrast, upright, normal x-height font.
Keywords: sci‑fi titles, game ui, posters, album art, tech branding, techy, glitchy, industrial, retro digital, skeletal, digital aesthetic, experimental display, modular construction, diagrammatic look, glitch texture, outline, monoline, modular, squared, geometric.
A sparse, outline-driven design built from thin, monoline strokes with squared corners and frequent stepped notches. The letterforms read as modular constructions: open counters and discontinuous segments create a hollow, schematic feel, with small protrusions and cut-ins that vary from glyph to glyph. Proportions lean broad, with mostly flat terminals and a rigid, rectilinear skeleton; curves are minimized and when present are tightly squared-off. Spacing and widths feel intentionally uneven, reinforcing a patched, assembled rhythm across the alphabet.
Best suited to display settings where its hollow, segmented geometry can be read clearly—titles, headers, and short lines in posters, cover art, or sci‑fi/game-related graphics. It can also work for interface-style labels or branding accents when used at generous sizes and with ample spacing. For long-form text, its thin outline and glitchy interruptions are more effective as a stylistic highlight than as a primary reading face.
The overall tone is technical and slightly chaotic—like interface lettering rendered through a faulty signal or a hacked display. Its hollow, fragmented construction evokes circuitry, wiring diagrams, and industrial labeling, giving it an experimental, cyber-leaning personality. The jittery interruptions and notched details add an edgy, DIY engineering character rather than a polished corporate one.
The design appears intended to reinterpret a geometric sans through a skeletal, hollow construction with intentional breaks and notches, prioritizing a digital/industrial aesthetic over conventional legibility. Its modular inconsistencies seem purposeful, aiming for a hacked-tech texture and a sense of engineered assembly. The result is a distinctive display face that signals futurism, systems, and experimental typography.
Many glyphs incorporate small internal blocks or offset outline segments that act like knockouts and mechanical joints, producing a distinctive “constructed” texture in running text. The thin outlines and intermittent gaps can cause sparkle and visual noise at smaller sizes, while larger sizes emphasize the quirky modular details. Numerals and capitals maintain the same rectilinear logic, keeping the set visually cohesive despite the deliberate irregularities.