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Free for Commercial Use

Serif Normal Pyrap 11 is a very bold, wide, very high contrast, upright, normal x-height font visually similar to 'Aman' by Blaze Type, 'FF Kievit Serif' by FontFont, 'Capricho' and 'Contane Text' by Hoftype, 'ITC New Veljovic' by ITC, 'New Aster LT' by Linotype, and 'Georgia Pro' by Microsoft (names referenced only for comparison).

Keywords: headlines, posters, editorial, book covers, brand marks, historic, authoritative, dramatic, formal, impact, tradition, authority, headline voice, editorial tone, bracketed, ball terminals, sheared joins, tight apertures, ink-trap like.


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A heavy, tightly constructed serif with pronounced thick–thin modulation and compact interior counters. Serifs are firmly bracketed and often end in rounded or teardrop terminals, giving the outlines a carved, slightly calligraphic finish. Curves swell into bold bowls while joins pinch sharply, creating a crisp rhythm and a distinctly sculpted texture in text. Capitals feel broad and steady, while the lowercase maintains a traditional structure with sturdy stems, small apertures, and strong vertical emphasis.

Best suited for headlines, subheads, and short passages where a strong typographic voice is desirable. It can work well for editorial titles, book covers, packaging, and identity applications that benefit from traditional serif cues and high-impact contrast. For longer text, it will be most effective at comfortable sizes and with generous spacing to keep counters and joins from visually clogging.

The overall tone is confident and classical, with an editorial seriousness that reads as established and authoritative. Its dramatic contrast and weight add a sense of theatricality and tradition, evoking bookish, institutional, or heritage-flavored design without becoming ornate.

The design appears intended to deliver a conventional serif foundation with heightened drama and density—combining traditional proportions with bold presence and emphatic contrast. It aims to communicate authority and heritage while remaining legible and structured in typical editorial and branding contexts.

In running text the dense weight and tight apertures produce a dark, emphatic color, especially in combinations with repeated verticals (e.g., m/n/u) and rounded forms (e.g., o/e). Numerals are robust and highly assertive, matching the same contrast and terminal behavior as the letters, making figures stand out strongly in display settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸