Sans Superellipse Harah 2 is a bold, normal width, monoline, upright, short x-height font.
Keywords: headlines, posters, branding, packaging, signage, playful, retro, friendly, chunky, toylike, approachability, display impact, brand recognition, geometric clarity, rounded, geometric, soft corners, compact, high contrast counters.
A heavy, rounded geometric sans with a distinctly squarish “soft rectangle” construction. Strokes are largely uniform and robust, with rounded terminals and corners that keep the silhouette smooth even at tight curves. Bowls and counters lean toward rounded-rectangle shapes, producing compact interior spaces and a punchy, high-impact texture. The uppercase set feels blocky and stable, while the lowercase introduces simple, single-story forms (notably a and g) that maintain the same softened geometry. Numerals are equally stout and rounded, with simplified shapes and generous curves that match the letterforms.
Well-suited to display typography where a friendly, impactful presence is needed—headlines, posters, logos, packaging, and short-form branding copy. It also fits signage and UI moments that benefit from soft, approachable geometry, especially at medium-to-large sizes where the rounded details and compact counters read cleanly.
The overall tone is warm and approachable, with a playful, slightly retro sensibility reminiscent of mid-century signage and friendly consumer branding. Its softened geometry reads confident rather than formal, aiming for charm and accessibility over neutrality.
The likely intent is a modern geometric display sans built from softened superellipse-like forms to project friendliness and visual punch. By pairing sturdy monoline weight with rounded-rectangle counters and simplified lowercase shapes, it aims to be distinctive, legible in short bursts, and immediately recognizable in branding contexts.
The design emphasizes strong silhouettes and consistent rounding, creating clear word shapes at larger sizes and a bold rhythm in display settings. Tight counters and thick joins can visually fill in at small sizes, but the simplified forms keep the style cohesive across letters and figures.