Sans Normal Lylup 6 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Passenger Sans' by Indian Type Foundry, 'Touvlo' by Monotype, 'Point Panther' by Sarid Ezra, 'Bright Giftak' by Timelesstype Studio, and 'Clinto' and 'Inovasi' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logo design, sporty, energetic, assertive, retro, punchy, impact, speed, bold branding, display emphasis, slanted, blocky, rounded, compact, dynamic.
A heavy, slanted sans with broad, rounded shapes and tightly packed counters. The forms lean forward with a consistent italic angle, combining blunt terminals with smooth curves for a strong, continuous silhouette. Letterspacing appears naturally tight in text, and the lowercase maintains a steady rhythm with single-storey a and g and a compact, sturdy construction. Numerals are weighty and rounded, matching the letterforms for a cohesive, display-oriented texture.
Best suited to large-scale typography where its weight and slant can deliver impact—headlines, posters, campaign graphics, and sports or action-oriented branding. It can also work for bold packaging callouts and short logo wordmarks, especially when set with generous line spacing to keep the dense forms from visually clumping.
The overall tone is fast and forceful, with a forward-leaning stance that reads as energetic and competitive. Its dense black shapes and compact apertures give it a confident, poster-like presence that can feel slightly retro in the way it echoes classic athletic and headline typography.
Designed to project maximum impact with a forward-driving stance, pairing rounded, geometric construction with a dense stroke weight for immediate legibility at display sizes. The emphasis appears to be on momentum, strength, and attention-grabbing clarity rather than delicate detail or long-form text comfort.
Diagonal strokes in letters like N, V, W, and X feel especially emphasized by the slant, creating strong directional movement across a line. The heavy weight and tight internal spaces can cause characters to knit together at smaller sizes, while at larger sizes the rounded geometry reads clean and bold.