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Free for Commercial Use

Sans Normal Lylup 11 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Glembo' by Differentialtype, 'Gotham' by Hoefler & Co., 'Neue Reman Gt' by Propertype, 'Point Panther' by Sarid Ezra, 'Scatio' by Wahyu and Sani Co., and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sportswear, branding, packaging, sporty, bold, dynamic, friendly, punchy, impact, momentum, display, legibility, slanted, compact, rounded, blocky, energetic.


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A heavy, slanted sans with compact proportions and rounded, closed counters. Curves are smooth and broadly elliptical, while joins and terminals are clean and largely squared-off, giving the shapes a sturdy, cut-from-solid feel. The italic angle is consistent across the set, and the rhythm is driven by wide bowls (C/G/O/Q) contrasted with tighter, more angular diagonals (K/V/W/X/Y/Z). Numerals follow the same robust, rounded construction, reading clearly at display sizes.

Best suited to headlines, posters, branding, and packaging where a strong, kinetic voice is needed. It works especially well for sports and lifestyle graphics, event promotions, and punchy editorial callouts. For longer passages, it will be most comfortable when used sparingly as a display accent rather than as continuous text.

The overall tone is assertive and energetic, with a sporty, forward-leaning stance. Its rounded geometry keeps the weight from feeling harsh, adding a friendly, approachable character despite the strong presence. The result feels designed for impact and momentum rather than neutrality.

The design appears intended to deliver maximum visual impact with a consistent forward slant and compact, rounded forms. It prioritizes bold legibility and a sense of speed, aiming for a contemporary, sporty display voice that remains friendly and straightforward.

Uppercase forms are broad and stable, while lowercase maintains a high, sturdy silhouette that keeps word shapes dense and attention-grabbing. The lowercase g is single-storey and the overall punctuation and dot forms appear simple and bold, supporting short, high-contrast messaging. The slant and weight together can create tight texture in longer lines, favoring larger sizes and generous spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸