Sans Superellipse Hamin 10 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'EF Handel Sans' by Elsner+Flake, 'Handel Gothic' by Linotype, 'Nizzoli' by Los Andes, 'Magistral' by ParaType, and 'Core Sans N' and 'Core Sans NR' by S-Core (names referenced only for comparison).
Keywords: ui text, product branding, signage, dashboards, packaging, modern, technical, friendly, utilitarian, clean, system design, clarity, modern branding, approachability, rounded corners, geometric, square-rounded, compact counters, crisp terminals.
A rounded, geometric sans with a square-rounded (superellipse) construction throughout. Strokes are monoline and steady, with softened corners and largely flat, horizontal/vertical terminals that keep the forms crisp despite the rounding. Curves tend to resolve into squarish bowls and counters, producing compact interior spaces in letters like O, B, and 8, while open shapes such as C and S maintain clear apertures. Proportions read slightly expanded, with broad capitals and sturdy lowercase forms that stay consistent across the alphabet and numerals.
Well suited to interface typography, device and software branding, and wayfinding where a clean, engineered look is desired. It can also work effectively in headlines and short blocks of copy, especially in tech, industrial, or contemporary retail contexts that benefit from rounded geometry and strong letterform consistency.
The overall tone is contemporary and functional, balancing a technical, engineered feel with approachable softness from the rounded corners. It suggests modern product design, interfaces, and forward-looking branding without becoming playful or informal.
The design appears intended to merge geometric precision with softened corners for a contemporary, product-oriented voice. Its consistent monoline structure and square-rounded shaping prioritize clarity and a cohesive system feel across letters and numerals.
Details like the single-story "a" and "g" and the squared-off, rounded-rectangle numerals reinforce the systemized geometry. Diagonals (V, W, X, Y) are clean and stable, and the punctuation and figures shown maintain the same square-rounded rhythm for cohesive typography.