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Free for Commercial Use

Sans Normal Lylay 5 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'EquipCondensed' by Hoftype, 'HD Colton' by HyperDeluxe, 'Otoiwo Grotesk' by Pepper Type, 'Franie' by That That Creative, 'TT Norms Pro' by TypeType, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, sporty, punchy, energetic, assertive, retro, impact, motion, display, branding, urgency, slanted, rounded, compact, blocky, smooth.


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A heavy, right-slanted sans with rounded, compact letterforms and broad, continuous curves. Strokes are uniform and low-contrast, with softly squared terminals and tight internal counters that emphasize mass and solidity. Uppercase shapes read wide and stable, while the lowercase maintains a sturdy rhythm with single-storey forms and simplified construction. Figures are bold and highly legible at display sizes, with the slant giving a clear forward motion without becoming calligraphic.

Best suited to short, high-impact settings such as headlines, posters, sports and event branding, and bold packaging callouts. It can also work for large UI labels or signage where a strong, directional emphasis is desired, but its density suggests avoiding long passages at small sizes.

The overall tone is energetic and forceful, conveying speed and momentum through its pronounced slant and dense black presence. It feels sporty and promotional, with a slightly retro, headline-driven character that favors impact over delicacy.

The design appears intended to deliver maximum emphasis with a clean sans structure, combining rounded geometry and a consistent slant to suggest motion. It prioritizes bold presence and fast readability in display contexts, aiming for a contemporary athletic and promotional feel.

Spacing appears tuned for display: the heavy weight and tight counters create strong word shapes, while round letters like O/C/G and numerals like 0/8/9 keep a smooth, cohesive texture. The italic angle is consistent across caps, lowercase, and figures, helping long lines maintain a unified forward lean.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸