Sans Normal Ohbuz 6 is a very bold, wide, low contrast, upright, tall x-height font visually similar to 'Posterama' by Monotype and 'Eastman' by Zetafonts (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, logos, friendly, playful, modern, chunky, retro, approachability, impact, brand voice, display emphasis, modern retro, rounded, geometric, soft, compact apertures, ball terminals.
A heavy, rounded sans with geometric construction and softened corners throughout. Strokes are consistently thick with minimal modulation, producing solid black shapes and a stable, even color in text. Counters are generally compact and circular to oval, while several letters show partially closed apertures (notably in forms like e, a, and s), emphasizing a blocky, sculpted feel. The lowercase has a tall x-height with short ascenders and descenders, and the overall proportions lean broad with generous horizontal bowls and shoulders. Details such as the curved descender on g, the hooked tail on q, and the rounded, slightly pinched joins on m/n add a distinctive, custom rhythm without breaking the overall geometric logic.
Best suited for headlines, wordmarks, packaging, posters, and other short-to-medium display copy where its bold, rounded forms can carry personality. It can also work for UI labels or signage when set large enough to keep counters open and letterforms distinct.
The tone is upbeat and approachable, with a toy-like softness that reads as contemporary and brand-forward. Its dense, rounded shapes suggest confidence and warmth rather than precision or formality, giving it a slightly retro display personality even in straightforward settings.
The design appears intended to deliver a friendly, high-impact sans for contemporary branding—prioritizing rounded geometry, dense texture, and memorable silhouettes over neutral, text-first readability.
At larger sizes the distinctive aperture treatment and rounded joins become a key part of the personality; at smaller sizes the tight counters and closed openings may reduce clarity, especially in letters like e, a, s, and some numerals. The numerals match the same rounded, heavy construction and feel designed to sit comfortably alongside the letters in headlines and short statements.