Sans Normal Ohbuz 5 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Firma' by Brink, 'All Round Gothic' by Dharma Type, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Gilmer' by Piotr Łapa, 'Manifestor' by Stawix, 'Carmen Sans' by StudioJASO, and 'Humant' by TipoType (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, playful, confident, modern, approachable, impact, approachability, clarity, warmth, rounded, geometric, soft, chunky, compact joints.
A heavy, rounded sans with broad proportions and softly squared curves. Strokes are consistently thick with minimal contrast, and corners resolve into smooth, blunted terminals rather than sharp cuts. Counters are generally generous and circular/oval, giving letters like O, Q, and 8 a buoyant, open feel, while joins in forms like m, n, and w are tight and compact, creating a sturdy rhythm. The lowercase shows single-storey a and g, with short, clean extenders and overall even spacing that keeps the texture dense and solid in text.
Best suited to display settings where its broad, rounded forms can read clearly and project personality—such as headlines, advertising, packaging, signage, and brand wordmarks. It can work for short blocks of text or UI labels when ample size and spacing are available, but its dense weight is most effective in titles and prominent callouts.
The overall tone is friendly and upbeat, with a slightly retro, poster-ready confidence. Rounded geometry and substantial weight make it feel approachable and casual, while the clean construction keeps it contemporary and straightforward.
This font appears designed to deliver a bold, friendly presence through rounded geometric forms and consistent stroke weight, prioritizing instant legibility and a warm, contemporary character for attention-grabbing typography.
The design leans into circular construction and thick inner shapes, producing strong silhouettes and high punch at display sizes. Diacritics and punctuation are not shown beyond basic marks in the sample; the most distinctive character comes from the soft terminals and compact, rounded arches in multi-stem letters.