Sans Normal Arbup 14 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'BR Segma' by Brink, 'Neufile Grotesk' by Halbfett, 'Pais' by Latinotype, 'Neue Rational Standard' by René Bieder, and 'Bassen' by SRS Type (names referenced only for comparison).
Keywords: ui text, branding, wayfinding, presentations, product labels, clean, modern, neutral, technical, approachable, clarity, versatility, contemporary utility, legibility, system-like neutrality, open apertures, generous spacing, crisp, monoline, geometric.
A clean, monoline sans with broad proportions and rounded, geometric construction. Curves are smooth and near-circular (notably in C, O, and Q), while straight strokes stay crisp with minimally softened terminals. The lowercase uses straightforward, single-storey forms (a and g) and open apertures that keep counters clear; the overall rhythm feels even and uncluttered with comfortable spacing. Numerals are simple and sturdy, matching the letters in stroke weight and proportions for consistent texture in mixed text.
This font suits user interfaces, dashboards, and product experiences where clarity and consistency are key. Its wide, open forms also work well for signage and wayfinding, and it can hold up in presentation decks and brand systems that need a modern, unobtrusive sans for both headings and supporting text.
The tone is neutral and contemporary, balancing a technical, no-nonsense clarity with a friendly softness from its rounded geometry. It reads as calm and dependable rather than expressive or decorative, suitable for interfaces and everyday communication.
The design appears aimed at providing a broadly usable, contemporary sans with geometric cues and high legibility. It prioritizes clean construction, open counters, and steady stroke behavior to deliver a predictable, versatile reading experience across sizes.
Diagonal letters like V, W, X, and Y have clean joins and steady stroke weight, giving headings a confident, stable look. The round punctuation and dots (as seen in i/j) appear compact and precise, supporting a tidy overall finish.