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Free for Commercial Use

Sans Normal Vodom 4 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FS Me' and 'FS Me Paneuropean' by Fontsmith, 'Belle Sans' by Park Street Studio, 'Akwe Pro' by ROHH, and 'Merlo Neue' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, sports promo, friendly, sporty, casual, playful, approachable, attention, motion, approachability, modernity, informality, rounded, soft corners, oblique, energetic, bouncy.


Free for commercial use
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A heavy, oblique sans with rounded terminals and softly squared corners that keep the texture smooth and dense. Curves are broad and continuous, with generous bowls and open apertures (notably in C, G, and S), while straight strokes stay sturdy and slightly tapered by perspective rather than contrast. The lowercase mixes simple, single-storey forms (a, g) with compact joins and a lively, slightly uneven rhythm; the overall set reads as intentionally informal rather than strictly geometric. Numerals follow the same softened, forward-leaning construction, with wide, stable shapes and clear counters.

Best suited to short to medium-length text at display sizes—headlines, posters, and punchy brand statements—where its oblique stance and rounded weight can carry personality. It can also work well on packaging and promotional graphics that benefit from a bold, friendly presence and quick readability.

The forward slant and rounded construction give the face an energetic, friendly tone that feels conversational and upbeat. It suggests motion and ease—more sporty and approachable than corporate—while staying clean enough to read as a contemporary sans.

The design appears intended to deliver a contemporary, energetic sans voice by pairing a strong forward slant with rounded, softened forms. It prioritizes immediacy and approachability, aiming for an informal display texture that still stays clean and legible.

Spacing appears comfortably open for such a heavy style, helping counters remain distinct in tight curves. The italic angle is consistent across cases, and the glyphs maintain a cohesive, softened silhouette that avoids sharp traps or harsh corners.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸