Sans Superellipse Pekab 2 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Laqonic 4F' by 4th february, 'FT Graphitum' by Foxys Forest Foundry, 'MVB Diazo' by MVB, 'Merchanto' by Type Juice, and 'Allison Tessa' by madeDeduk (names referenced only for comparison).
Keywords: posters, headlines, branding, packaging, logos, playful, friendly, punchy, retro, cartoon, display impact, friendly tone, compact strength, geometric character, rounded, soft corners, compact, blocky, bouncy.
A heavy, compact sans with rounded-rectangle construction and softened corners throughout. Strokes are thick and fairly uniform, with minimal modulation and blunt terminals, producing dense, poster-like letterforms. Counters are tight and often squarish, and curves read more as superelliptical bends than true circles. The lowercase shows a high x-height and short extenders, while uppercase forms stay sturdy and condensed; overall spacing appears slightly tight, reinforcing a solid, chunky texture in text.
Best suited for display typography such as posters, headlines, packaging, and bold branding where a friendly, chunky voice is desired. It also works well for logos and labels that need compact impact and strong silhouette recognition. For body text, it will perform better in short bursts or larger settings where the tight counters remain open.
The overall tone is upbeat and approachable, with a toy-like, slightly retro sign-painting energy. Its chunky geometry and softened corners keep it friendly rather than aggressive, while the compact proportions add punch and immediacy. The rhythm feels bouncy and informal, suitable for attention-grabbing, lighthearted communication.
The design appears intended to deliver maximum presence in a compact footprint, using rounded-rectangle forms to create a distinctive, approachable geometric voice. It prioritizes bold silhouette, quick readability at display sizes, and an informal tone that feels at home in energetic commercial and editorial settings.
Digits follow the same rounded-rect logic and read clearly at display sizes, with consistent weight and compact interiors. Round letters (like O/C/G) feel more squarish than circular, giving the design a distinctive geometric character. In longer lines, the dense color and tight counters can make small sizes feel crowded, so it benefits from generous size and/or looser tracking.