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Free for Commercial Use

Sans Superellipse Olray 2 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Condensed Series' by Emtype Foundry, 'Hype vol 3' by Positype, 'Gemsbuck Pro' by Studio Fat Cat, 'Agharti' by That That Creative, 'Angmar' by Umka Type, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, sports branding, packaging, industrial, condensed, authoritative, sporty, poster-like, space saving, strong impact, modern signage, brand presence, blocky, rounded corners, compact, high impact, utilitarian.


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A compact, heavy sans with strongly condensed proportions and rounded-rectangle shaping throughout. Strokes are monolinear and dense, with tight counters and squared terminals softened by generous corner radii, giving curves a superelliptical feel rather than true circles. The overall rhythm is vertical and emphatic, with tall ascenders/descenders and a relatively even, restrained baseline-to-cap structure that keeps word shapes consistent. Numerals and capitals share the same sturdy, compressed architecture, optimized for bold presence rather than airy openness.

Best suited to headlines, posters, and short bursts of copy where strong typographic color is desirable. It can work well for signage, labels, and packaging that needs a bold, space-saving voice. For longer passages, its dense texture is likely more effective in larger sizes with generous line spacing.

The tone is forceful and functional—confident, urban, and slightly industrial. Its softened corners keep the voice friendly enough to avoid harshness, but the narrow, heavyweight build reads as urgent and commanding. Overall it suggests signage, sports branding, and modern poster typography where impact matters.

The design appears intended to deliver maximum impact in a narrow footprint, combining an engineered, condensed structure with softened corners for a contemporary, approachable finish. Its consistent monoline build and rounded-rectangle forms suggest a focus on clarity and visual uniformity across glyphs.

In text, the compact apertures and narrow interior spaces increase color and intensity, especially in mixed-case settings. The rounded-rectangle geometry creates a cohesive system across straight and curved letters, producing a consistent, engineered look at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸