Sans Faceted Omli 8 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Corelia' by Hurufatfont, 'HF HySans' by HyFont Studio, and 'Intelo' by Monotype (names referenced only for comparison).
Keywords: headlines, posters, signage, logos, packaging, industrial, technical, utilitarian, sporty, retro, geometric styling, industrial tone, display impact, systemic consistency, faceted, angular, chamfered, blocky, sturdy.
A clean sans design built from straight strokes and chamfered corners, replacing most curves with crisp planar facets. Letterforms are constructed with fairly uniform stroke thickness and square terminals, giving an even color and a sturdy, mechanical rhythm. Counters tend toward polygonal shapes (notably in C, G, O, Q, and 0), while diagonals in A, K, V, W, X, and Y feel precise and cut from the same angular system. The overall impression is compact and pragmatic, with clear, consistent geometry across capitals, lowercase, and numerals.
Best suited for display roles where the angular, machined texture can be appreciated—headlines, posters, product branding, and packaging. It also fits short UI labels or signage where a technical, industrial feel is desired and the faceted forms can reinforce a system-like aesthetic.
The faceted geometry reads as engineered and purposeful, suggesting signage, equipment labels, and contemporary industrial branding. Its sharp cuts and disciplined rhythm also lend a slightly retro, sci‑fi tone without becoming decorative.
The design appears intended to translate a sans skeleton into a faceted, cut-metal language, prioritizing geometric consistency and a robust presence over smooth curvature. It aims to provide a distinctive, constructed look that remains straightforward and readable in bold, attention-getting applications.
Round characters maintain legibility through generous inner openings and distinct corner cuts, helping differentiate similar shapes like O/0 and C/G in display settings. The sample text shows a firm, steady baseline and a distinctive, angular texture that becomes part of the typographic voice at larger sizes.