Sans Normal Senem 10 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FS Albert', 'FS Albert Arabic', and 'FS Albert Paneuropean' by Fontsmith; 'PF Adamant Sans Pro' by Parachute; 'Acorde' by Willerstorfer; 'Cielo' by Wilton Foundry; and 'Depot New' by moretype (names referenced only for comparison).
Keywords: ui text, web apps, editorial text, wayfinding, dashboards, clean, modern, neutral, friendly, technical, legibility, versatility, clarity, neutral voice, modern utility, monoline, geometric, open apertures, rounded terminals, even rhythm.
This typeface is a monoline sans with geometric construction and smoothly rounded curves. Strokes stay consistent through joins and bowls, giving an even, calm texture in both caps and lowercase. Counters are generous and apertures are open, supporting clear word shapes at text sizes. Letterforms favor simple, direct structures with rounded terminals and a tidy, contemporary rhythm; numerals follow the same straightforward, highly legible approach.
It performs well for interface and product typography where clarity and steadiness are key, including navigation, settings, dashboards, and system-style labeling. The even stroke weight and open counters also suit general-purpose editorial text, captions, and signage where a neutral, modern sans is needed.
The overall tone is clean and contemporary, with a neutral voice that feels approachable rather than austere. Its smooth geometry and open forms give it a friendly, practical character that fits both everyday UI copy and more technical contexts.
The design appears intended as a versatile, no-nonsense sans optimized for consistent readability and a smooth, modern texture. Its restrained geometry and open forms suggest a focus on broad applicability across digital and print layouts without a strong stylistic agenda.
The samples show stable spacing and a consistent color across lines, with rounded bowls (notably in C, G, O, Q, and e) that keep the texture soft. The lowercase maintains clear differentiation between similar shapes, and the figures read crisply without calling attention to stylistic quirks.