Print Fyne 1 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Goodrich' by Hendra Pratama, and 'Autovia' by Santi Rey (names referenced only for comparison).
Keywords: posters, headlines, packaging, event flyers, album covers, rugged, playful, handmade, spooky, retro, expressiveness, handmade texture, display impact, thematic tone, rough-edged, chunky, inked, worn, irregular.
A heavy, blocky hand-drawn face with compact proportions and strongly irregular, jagged contours. Strokes look brush- or marker-like with rough terminals, uneven edges, and slight wobble that creates a textured silhouette. Counters are small and often pinched, and interior shapes feel crudely carved rather than geometric. The overall rhythm is lively and inconsistent in a deliberate way, with noticeable glyph-to-glyph variation and a slightly distressed, cutout-like finish.
Best suited for short, high-impact display typography such as posters, headlines, packaging, and promotional graphics where texture and personality are desirable. It can work well for themed applications like Halloween-style promos, playful branding, or retro-inspired layouts, especially when set large and with ample leading.
The font conveys a loud, mischievous tone with a gritty handmade energy. Its rough edges and chunky forms suggest a vintage poster or DIY sign aesthetic, and the uneven silhouettes can lean toward spooky or comic-book theatrics depending on context. It feels informal, attention-seeking, and more expressive than refined.
The design appears intended to emulate bold hand-rendered lettering with a rough, distressed edge—prioritizing personality, texture, and immediacy over precision. It aims to deliver a strong silhouette and an analog, inked presence that feels intentionally imperfect and lively.
In text, the dense black shapes create strong spot color and a tactile, printed feel. The irregular edges add character at display sizes, while the tight counters and rugged outlines can make long passages feel heavy; it performs best when given generous size and spacing.