Sans Superellipse Afnid 18 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: ui design, wayfinding, editorial, product labeling, dashboards, modern, clean, neutral, technical, efficient, clarity, space efficiency, systematic geometry, interface utility, modern neutrality, superelliptic, rounded corners, closed apertures, compact, low contrast.
This typeface is a compact sans with consistent, even stroke weight and a geometry driven by rounded-rectangle curves rather than perfect circles. Curved letters like C, G, O, and Q read as squarish ovals with softly flattened sides, while straight stems and arms stay crisp and minimal. Terminals are mostly blunt and squared-off, with rounded transitions that keep the overall texture smooth and controlled. Counters are relatively tight and apertures tend toward closed, giving the face a dense, space-efficient rhythm in text. Numerals follow the same superelliptic logic, with clear, simplified forms and a sturdy baseline presence.
It suits UI and product contexts where a compact, orderly texture is helpful—navigation, settings panels, data-heavy screens, and dashboard labels. It can also work well for signage and packaging copy that benefits from modern neutrality, and for editorial subheads or captions where a controlled, space-efficient sans is desired.
The tone is contemporary and pragmatic, aiming for clarity without calling attention to itself. Its rounded-rect geometry adds a subtly tech-oriented, engineered feel, balancing friendliness with restraint. Overall it suggests interface efficiency, modern utility, and understated professionalism.
The design appears intended to translate geometric, rounded-rectangle construction into an everyday sans that stays legible and consistent across sizes. By keeping stroke contrast minimal and curves systematically superelliptic, it aims for a cohesive, engineered look that feels modern and dependable in functional typography.
The font’s squircle-like round forms create a distinctive silhouette at display sizes, especially in O/Q and the curved portions of S and G. In paragraphs, the tight counters and compact proportions increase density, which can feel highly organized and structured. The punctuation and basic letterforms shown maintain a consistent, no-nonsense construction that prioritizes uniformity over expressiveness.