Sans Superellipse Ugras 1 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'FS Truman' by Fontsmith, 'Gltp Starion' by Glowtype, 'Interval Next' by Mostardesign, 'Nauman Neue' by The Northern Block, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, app headers, sporty, energetic, modern, confident, industrial, express speed, create impact, modernize branding, add momentum, maximize presence, oblique, rounded, compact, sturdy, geometric.
A heavy, oblique sans with broad, squared-off curves and rounded-rectangle construction in bowls and counters. Strokes are dense and even, with minimal modulation, and terminals are mostly blunt or softly rounded rather than tapered. The italic slant is strong and consistent, creating a forward-leaning rhythm, while spacing stays relatively tight for a compact, punchy texture. Forms favor sturdy geometry: circular letters read as superelliptical, and diagonals are thick and stable, keeping the overall color dark and uniform.
Best suited to display settings where impact and motion are desirable: sports and fitness identities, event posters, product packaging, and bold editorial headlines. It also works well for short UI headers or promo graphics where a compact, high-energy typographic voice is needed, though its dense weight and strong slant make it less ideal for long-form text.
The face projects speed and momentum through its pronounced slant and blocky, aerodynamic shapes. Its tone feels assertive and contemporary, with a utilitarian edge that fits performance-oriented or action-forward messaging. The rounded geometry softens the aggression slightly, keeping it friendly enough for mainstream branding.
The design appears intended to deliver a fast, emphatic sans voice by combining a strong italic angle with rounded-rectangle geometry and sturdy, low-modulation strokes. It prioritizes punchy readability and a modern, engineered feel over delicacy or calligraphic nuance.
Uppercase shapes feel broad and simplified, while lowercase maintains clear, functional silhouettes with single-storey-style construction where applicable and firmly closed counters. Numerals match the same robust geometry and slant, reading clearly at display sizes with a strong poster-like presence.